Danxia Ruiying

Paintings featured

1. The new rhyme of the court without bones: the peony is rendered by the “concave-convex method” of Lang Shining in the Qing Dynasty, with the petals transitioning from light pink to cinnabar, and the veins of the leaves adopting the “nail-head and rat-tail depiction” of the Song Dynasty’s brushwork, which reveals a three-dimensional light and shadow in the classical technique.
2. Four-dimensional space-time theater: the blossoming peony in the foreground symbolizes the abundance of the present, the half-open buds are a metaphor for the growth of time, the fluttering colorful butterflies (three are yang) form the spatial dynamics, and the inscriptions and calligraphy are like the historical scrolls dropping down, forming the philosophical structure of “heaven, earth, people, and time”.
3. Metaphysical color code system: the background of light green background color hidden swastika watermark, and the inscription in the “dirty and moving Kyoto three” to form the auspicious symbols of Buddhism and Taoism merging, need to use the side light irradiation can be revealed.

Detailed depiction

• Nine Colors of Heavenly Fragrance: The main peony contains nine layers of petals in pink, orange and red (alluding to the “Nine-Five”), each layer is calendared to show a satin luster, and the stamens are dyed with gold clay, forming the visual effect of “Sun Wah Bearing Dew”.
• Butterfly microscopy: the blue-winged crested butterfly’s antennae adopt the “monofilament split brush” technique, with a 0.3 mm brush stroke outlining the fluffy texture; the yellow-spotted butterfly’s wings are visible through the light as ice cracks in the alum water, mimicking the structure of the scales of living creatures.
• Ink rhyme: the left side of the wild cursive “only from the body of the figure color light” using flying white book and ink method intertwined with the last pen “light” word withered upward, and the lower right corner of the “You form a large meaning fish With the seal in Zhuwen in the lower right corner, “You form a fish of great significance” constitutes a Taiji yin-yang graphic layout.

Artistic Value

• Non-legacy living inheritance: the petal overlay color technique reproduces the secret technique of the Imperial Palace’s Weiquanzhai Tongjing painting, which was included in the research samples of the “Digital Protection Project of Chinese Traditional Painting Techniques” in 2018.
• A-chen Time and Space Capsule: The inscription “Early Spring in the Year of A-chen” corresponds to the Year of the Dragon in 2024, and the vibration of the six wings of the three butterflies in the picture is a metaphor for the concept of “hexagrams” of space and time, making it a fossilized record of a specific historical node.
• The spirit of the literati game: “The dirty and winding Kyoto three” uses the syntax of the Chu Rhetoric to reconstruct modern poetry, forming a philosophical dialog field between “richness” and “seclusion” with the peony. and peony form a philosophical dialog field of “wealth and luxury” and “seclusion”.

Suitable Scene

• Cultural hall: museum painting and calligraphy hall theme exhibition, century academy parlor (recommended with rosewood chi dragon pattern painting).
• Modern Residence: New Chinese villa’s open-air hall (6 meters high is needed to show the panoramic aura), listed company’s CEO’s office feng shui location (peony facing east to attract wealth).
• Ceremonial space: the backdrop of the main venue of the international summit, the core exhibition of the digital guide of the non-heritage cultural experience museum.

Purchase Notes

1. Avoid light and moisture: storage humidity <60%, avoid direct sunlight leading to color fading.
2. Gentle dusting: Monthly soft brush with sable bristles along the texture of the picture, avoid wiping with a wet cloth;
3. Professional restoration: If there are creases or mold spots, you need to contact the antiquarian book restorer to use the “removing the frame and replenishing the pen” process to deal with.

Collection significance

Danxia Ruiying” this work is not only touchable “Luoyang Spring Dawn”, but also the flow of visual “I Ching”, in each chapped and dotted, are sealed with the Chinese aesthetic gene of civilization code.